Aitana brings her all-ages aerobics and routine pop to her third full house at WiZink | Culture

There are people for everything, which is very good. It’s another matter to separate grain from chaff, filfas and veins, accidental and necessary, but everything will work out. The same venue that has hosted these days two consecutive full houses of Vetusta Morla and a fantastic concert of Led Zeppelin albums, opened its doors this Tuesday to Aitana Ocaña Morales, a 24-year-old from Barcelona who, purely in numbers Seen the doors opened She beat all her famous predecessors. His visit to WiZink, the third sold-out event after his two dates in November, also served him to ceremoniously and videographically announce that this venue has already become too small for 15,000 spectators. The next event will take place on December 28th next year and will take place at the Santiago Bernabéu Stadium.

Are there reasons for this enthusiasm? It just depends on where we want to place the tape. Aitana has a great voice and offers a dance show, entertaining and solution-oriented, very well choreographed and generous in lighting technology, cross-generational empathy and good intentions. The author of alpha Not only does it bring a young audience to the stands, but it also brings a toddler audience with thousands of children and even more girls under 10 smiling, screaming and having fun like the good little ones they are. And here it begins, despite the fact that our idol has not yet bothered to bring even an ounce of uniqueness to her recipes, painfully routine in the pop sections and due to repetition in her recent affairs with electronics leads to despair.

All this guarantees that it is much easier to collect information about our protagonist’s current, past, resumed or future couples than about her aesthetic postulates or artistic intentions. Throughout the show’s 100 minutes, there are some great plays of light and shadow, disco glitter that extends to every corner of the venue, and a dozen male and female dancers with the gift of performing body movements that would be unthinkable to the average person. But we also find a few kilograms of pre-recorded music – including in the vocal part – and two dozen tracks in which any hint of originality has been brutally erased. The algorithm will not mislead us later.

And so it is that our brand-new Princess of Courts and Pavilions is incapable of exuding even a modicum of New World enthusiasm compared to all the great queens who have preceded her. It is a modern and laudable attitude to abolish what people say (The angel); in the justification of pride, self-love and the disposition that no undocumented minor will make your existence bitter (Now that you’re gone), a very necessary message at this time when we can reject the Machirulos with the full blessing of the RAE. But in the end, aerobic pop always wins the game over the argument or concept. In general, knowledge of the textile industry or tutorials to memorize some fragments of these devilish choreographies are more useful than listening and waiting for a surprise that – sorry to give away the end of the film – never comes.

We can hold on to this comfort Darari is connected to another dance hit through onomatopoeia It’s of the season, padam padamde Kylie Minogue. Luna It is a drinkable, well-developed and determined ballad in which the singer claims, for the first time after half an hour of concert, to be a singer of obvious virtues. This certainty becomes even clearer in the case of Further, which, without being a dazzling song, leaves room for something to happen with each performance, causing Aitana to break out and risk that the result will be brighter or more faded than that of any other night before or in the future. The essence of the live show, wow.

Arrive at the moment of miamorwith his twerking and their skirmishes only confirm that we live in a society that is lazy, boring and prudish enough to seek the cause of controversy in a sensual dance. But that’s exactly what we’re doing now, we’re not talking about anything. Aitana does well to paraphrase and pay tribute to Úrsula Corberó, who had already emphasized the value of self-esteem in Los Ondas. “I say that I will do something good,” exclaimed the singer with full sense. And note that there is a very large scope for improvement, starting with the speeches. Posts like “I always say it: There are better days and there are worse days” or “The year is already coming to an end: This is reality” (sic y sic) advocate lucid evil currently from The world today around: “Aitana raises another controversy by claiming in the middle of the concert that inductive reasoning and belief in causality can be rationally justified.”

Sour humor stings, but sometimes it also stimulates. The day will come when Aitana makes better use of her opportunities and saves us bad drinks like “I’m thinking of you, it happened to me.” hero the night and I can’t sleep anymore” (Thinking of you), a horror that goes beyond this linguistic syncopation and is heightened by the audacity to include a Samplers from sweet Dreams are made of this in the equation. But we can compromise The babiesa crazy version of Saturday night, from Wighfield, who danced to their hearts’ content. And fulfill this ending with the wet and sticky Formentera, preceded by a warning: it is “the last real one,” because coming in and out due to the old ritual of encores makes him “very embarrassed.” Well, maybe we can even agree on that.

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